hilde onis 

Een lichtblauw betegeld leven, (2020)
Fictive short story - First printed edition of 50

Hawk Eye, (2020)
WALDEINSAMKEIT invites eight artists to reside in the castle parc of Wildenburg. Jonas Dehnen, Stan D’haene, Günbike Erdemir, Mark Grootes, Eline Harmse, Jules Labath, Hilde Onis and Martijn Petrus create alternative narratives by means of presenting relics in the sections of this composed landscape. The untranslatable feeling of Waldeinsamkeit, a literary motive originating from the era of romanticism, presents a safe and hidden interconnectedness with nature, the overwhelming, aesthetic sentiment following the loneliness in the forest. This kind of Natureingang expresses itself through eight weekly residencies, wherein each individual artist will offer an artistic response on this motive. WALDEINSAMKEIT collects in this manner eight variations on the same topic under one overarching tale. The residues of the residencies explore new perspectives though the commemoration of these fictional inhabitants of the Wildenburg site.

The hawk being on top of the bird pecking order, the colors and shape of their eye are considered the most effective visual and silent way to deter most bird species and are often used in scarecrows.
At the same time, a hawk’s eye symbolizes sharp-sightedness, alertness, an inescapable glance. The intense-colored sculpture made of natural materials such as fat, kurkuma, birdseeds and different sorts of berries, stands out guarding the landscape, acting as a talisman protecting the forest, while at the same time facilitating the adoption of a revised paradigm to the species and their socially conditioned nature. The sculpture researches the opportunity to challenge the fear instigated by a certain visual representation, inviting other bird species to literally peck at the eye of the hawk. The eye is continuously seen by a wildlife camera that films when it detects any warm-blooded being.

WALDEINSAMKEIT is made possible with the generous support of the Embassy of the Kingdom of the Netherlands.

LoO0ⓞo𝑜օₒp, (2020)
Public sculpture for Yart, Duivelsteen, Gent, Belgium 

TO ENGULF - poster, manual and objects

To Engulf is based on how humans tend to personalise nature and how nature can use a beautiful phenomenon to fight back to it, or as a result, simply swallow these objects of appropriation.

When a tree is growing and it encounters something that gets in the way of it's growth, it can do three things: stop growing, grow away from it or grow around it. Is it possible that there are objects entirely consumed by trees that we don't know about?

The (in total 85) ceramic objects in their original installation were adoptable and meant to be taken home and installed somewhere in a tree near you. The tree can decide what to do with them; grow around it and become a sculpture itself or break the object by the pressure of its growth.

A manual which folds open as a poster print explaining the nature of the work accompanies every object There are about 25 objects left. To reserve one, send an e-mail.